Women of the World: An Arresting Global Exploration
By Maria Popova
Last year, we took a look at Mondo Cane, the original shockumentary circa 1962. The following year, the same filmmakers — Paolo Cavara, Franco Prosperi and Gualtiero Jacopetti — released La Donna nel Mondo (Women of the World), another genre-bender film whose tagline says it all: “Behind the Fancy Clothes Into the Most Primitive, the Most Provocative Affairs of Women!” — an arresting exploration of everything from tribal culture to Geishas to polygamy to the female form itself.
In the following excerpt, the filmmakers take us inside the gay and lesbian club scene of Paris in the late 1950s and early 1960s. It’s fascinating and unsettling to see the film treat homosexuality as symptomatic of some “underlying sadness” and a misguided attempt to emulate the physical characteristics of the opposite gender. At the same time, however, it’s hard not to revel in the disconnect between the narrator’s scorn and the merry good time these men and women seem to be having.
Women of the World bespeaks the era’s institutionalized sexism, devoid of any self-awareness, yet offers a fascinating perspective on both the women of the time and, in a rich meta kind of way, on the men who documented them.
Published January 3, 2011