Some of the world’s most iconic cities define themselves by their famous grids. So what happens to the sense, notion, and identity of a city if the grid were dissolved and rearranged? That’s exactly what French artist Armelle Caron explores in her playful series “Everything Tidy,” doing to cities what Ursus Wehrli does to art — deconstructing the familiar grid representations into “tidy” graphic anagrams of famous metropolises.
Zak takes us inside his lab, where he studies how people respond to stories. What he found is that even the simplest narrative can elicit powerful empathic response by triggering the release of neurochemicals like cortisol and oxytocin, provided it is highly engaging and follows the classic dramatic arc outlined by the German playwright Gustav Freytag 150 years ago.
Stories are powerful because they transport us into other people’s worlds but, in doing that, they change the way our brains work and potentially change our brain chemistry — and that’s what it means to be a social creature.
Of particular fascination and delight to me, as a hopeless Lewis Carroll fan, are the gorgeous takes on Alice’s Adventures in Wonderland, Through the Looking Glass, “Jabberwocky,” and “The Hunting of the Snark.”
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