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The Famous Grids of Iconic Cities, Deconstructed and Remixed

Great metropolises, dissected and tidied up.

Some of the world’s most iconic cities define themselves by their famous grids. So what happens to the sense, notion, and identity of a city if the grid were dissolved and rearranged? That’s exactly what French artist Armelle Caron explores in her playful series “Everything Tidy,” doing to cities what Ursus Wehrli does to art — deconstructing the familiar grid representations into “tidy” graphic anagrams of famous metropolises.

New York City
Paris
Berlin
Istanbul

Krulwich Wonders @alexgoldmark

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The Neurochemistry of Empathy, Storytelling, and the Dramatic Arc, Animated

What cortisol and oxytocin have to do with a 19th-century German playwright.

From Future of Storytelling summit and neuroeconomics pioneer Paul Zak, director of the Center for Neuroeconomic Studies and author of The Moral Molecule: The Source of Love and Prosperity, comes this short film on empathy, neurochemistry, and the dramatic arc, directed and edited by my friend Kirby Ferguson and animated by Henrique Barone.

Zak takes us inside his lab, where he studies how people respond to stories. What he found is that even the simplest narrative can elicit powerful empathic response by triggering the release of neurochemicals like cortisol and oxytocin, provided it is highly engaging and follows the classic dramatic arc outlined by the German playwright Gustav Freytag 150 years ago.

Stories are powerful because they transport us into other people’s worlds but, in doing that, they change the way our brains work and potentially change our brain chemistry — and that’s what it means to be a social creature.

Complement with Jonathan Gottschall’s The Storytelling Animal: How Stories Make Us Human.

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Graphic Canon vol. 2: Literary Comics from Lewis Carroll to the Brontë Sisters by Way of Darwin

Celebrated contemporary graphic artists adapt some of the most memorable literature since 1800.

Earlier this year, Russ Kick gave us the the first installment of his Graphic Canon trilogy, which culls illustrated adaptations of 190 classic literary works from more than 130 contemporary graphic artists. Today marks the release of the second volume, The Graphic Canon, Vol. 2: From “Kubla Khan” to the Brontë Sisters to The Picture of Dorian Gray (public library), which covers a remarkable spectrum of literature since 1800 and spans everything from “the bad boys of Romanticism” — Keats, Byron, and Shelley — to cornerstones of science and philosophy like Darwin’s On the Origin of Species and Nietzsche’s Thus Spake Zarathustra to prior favorites like Matt Kish’s Moby-Dick illustrations. The tome is the best thing in literary comics since Kate Beaton’s Hark! A Vagrant and a fine complement to the best graphic nonfiction of the past few years.

Lord Byron’s ‘She Walks in Beauty,’ adapted by David Lasky
Herman Melville’s Moby-Dick, adapted by Matt Kish
Walt Whitman’s Leaves of Grass, adapted by Dave Morice
Emily Brontë’s Wuthering Heights, adapted by Tim Fish
Charlotte Brontë’s Jane Eyre, adapted by Elizabeth Watasin
Edgar Allan Poe’s ‘The Raven,’ adapted by Yien Yip
Jane Austen’s Pride and Prejudice, adapted by Huxley King & Terrence Boyce
Detail from the Incan play Apu Ollantay, adapted by Caroline Picard

Of particular fascination and delight to me, as a hopeless Lewis Carroll fan, are the gorgeous takes on Alice’s Adventures in Wonderland, Through the Looking Glass, “Jabberwocky,” and “The Hunting of the Snark.”

Lewis Carroll’s Alice’s Adventures in Wonderland, adapted by Dame Darcy
Lewis Carroll’s The Hunting of the Snark, adapted by Mahendra Singh

The Graphic Canon, Vol. 2, bound to enchant in innumerable ways, will be followed by volume 3 in March, which is now available for pre-order.

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