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Margaret Atwood’s 10 Rules of Writing

“­Do back exercises. Pain is distracting.”

In the winter of 2010, inspired by Elmore Leonard’s 10 rules of writing originally published in The New York Times nearly a decade earlier, The Guardian asked some of today’s most celebrated authors to each produce a list of personal writing commandments. After 10 from Zadie Smith and 8 from Neil Gaiman, here comes Margaret Atwood with her denary decree:

  1. Take a pencil to write with on aeroplanes. Pens leak. But if the pencil breaks, you can’t sharpen it on the plane, because you can’t take knives with you. Therefore: take two pencils.
  2. If both pencils break, you can do a rough sharpening job with a nail file of the metal or glass type.
  3. Take something to write on. Paper is good. In a pinch, pieces of wood or your arm will do.
  4. If you’re using a computer, always safeguard new text with a ­memory stick.
  5. Do back exercises. Pain is distracting.
  6. Hold the reader’s attention. (This is likely to work better if you can hold your own.) But you don’t know who the reader is, so it’s like shooting fish with a slingshot in the dark. What ­fascinates A will bore the pants off B.
  7. You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there’s no free lunch. Writing is work. It’s also gambling. You don’t get a pension plan. Other people can help you a bit, but ­essentially you’re on your own. ­Nobody is making you do this: you chose it, so don’t whine.
  8. You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up.
  9. Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page.
  10. Prayer might work. Or reading ­something else. Or a constant visual­ization of the holy grail that is the finished, published version of your resplendent book.

For more timeless wisdom on writing, see this evolving compendium of notable advice, including Kurt Vonnegut’s 8 rules for a great story, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and Susan Sontag’s synthesized learnings.

Photograph courtesy of Random House


Emily Dickinson’s Poetry Set to Song by Israeli Singer-Songwriter Efrat Ben Zur

An enchanted celebration of music and literature.

I have a documented soft spot for the intersection of music and literature, from my ongoing Literary Jukebox side project to favorite finds like e. e. cummings’ poetry set to song and Victorian children’s poetry adapted by Natalie Merchant. Naturally, I was instantly enchanted by Robin (bandcamp) — a sublime new album by Israeli singer-songwriter and actress Efrat Ben Zur, based on the poetry of Emily Dickinson.

I’m nobody! Who are you?
Are you nobody, too?
Then there’s a pair of us — don’t tell!
They’d banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!

Favorite songs: “Remembrance”, “The Wind,” and “Till The End”.

Sample the goodness below:


Neil deGrasse Tyson on Intelligent Design as a Philosophy of Ignorance

Why even Newton was susceptible to cognitive cop-outs.

Today marks the 54th birthday of the inimitable Neil deGrass Tyson, who blends the “Great Explainer” quality of Richard Feynman and Carl Sagan’s penchant of the poetry of the cosmos with a brand of eloquence all his own. He’s previously made a political case for space exploration, showed us why we’re wired for science, and bantered with Colbert about scientific literacy, education, and the universe. In this short excerpt from a longer lecture, Tyson exposes intelligent design as a kind of dead-end cop-out that even some of history’s greatest intellectuals resorted to when stumped — including Sir Isaac Newton, who invented calculus at the tender age of 25.

Intelligent design is a philosophy of ignorance. It is you get to something you don’t understand, and then you stop. You say, ‘God did it,’ and you no longer progress beyond that point.

Tyson dives deeper into the subject in his excellent 2007 book, Death by Black Hole: And Other Cosmic Quandaries.


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