A brief pictorial history of socially sanctioned sexism.
By Maria Popova
Among February’s vintage Valentine’s Day postcards from the early 1900s was some anti-suffragette propaganda. That brand of misogynist messaging, it turns out, wasn’t reserved just for Cupid’s favorite holiday — in fact, as the suffrage movement swelled into a groundswell in the early 20th century, the picture postcard industry was enlisted in producing propaganda that discredited and denigrated women fighting for the vote. Here are a few more anti-suffragette postcards from the period, a reminder at once amusing and appalling of our culture’s history of socially sanctioned bigotry. (No doubt, Tea Party signage on marriage rights and immigration will appear in similar contexts in the cultural criticism of tomorrow.)
“I’m the fastest animal in the forest! And I challenge any animal to race me!”
By Maria Popova
If you read Brain Pickings regularly, you’re intimately familiar with the wonderful work of Indian indie publisher Tara Books, who for the past 17 years has been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on beautifully crafted books that honor the legacy and diverse styles of Indian folk art. Now comes The Great Race (public library) — an adaptation of an Indonesian folktale featuring Kanchil the trickster mouse deer, illustrated in the stunning Mata-ni-Pachedi style of ritual textile painting from the Gujarat region by artist Jagdish Chitara and written by Nathan Kumar Scott — a first-of-its-kind use of this traditional folk art in children’s storytelling.
In 1969, Bass was tasked with reimagining the visual identity of the American Bell Telephone Company, commonly referred to as “Ma Bell,” in an effort to modernize the old-timey bell-and-circle logo by eliminating its datedness but preserving its comforting familiarity. This rare footage captures the full half-hour of Bass and his team’s original pitch to Bell, which envisioned an entire ecosystem of identity well beyond the logo — signage, print, outdoor, and even executive cufflinks. The pitch could well have been masterminded by Don Draper, itself a fascinating and layered piece of cultural history covering the evolution of consumerism through the story of the telephone and the larger context of changing social expectations.
We’re fighting a war. Making a peace. Integrating. Segregating. Getting richer. Getting poorer. It’s quite a time to be alive.
Business has its particular problems — young people refusing good jobs; investors are more influenced by publicity than performance; customers complaining about the finest products produced anywhere in the world….Many of us here today remember when it was quite different. The pursuit of happiness had ground to a halt. Survival was the goal — just to have a job, but to have a job with security: That was the prize in 1933. How long a product lasted was more important than how well it looked. Wall Street had forgotten blue sky and was now talking blue chip. Down-to-earth, safe — that was the place to be.
How a thing looks today is as important as how well it works. As never before, people are influenced by what they see.
In 1983, after the breakup of Bell Systems, Bass also designed the famous AT&T “globe” logo, which AT&T didn’t update until 2005. (And, many have said, never should have.)
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