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Anti-Suffragette Postcards from the Early 20th Century

A brief pictorial history of socially sanctioned sexism.

Among February’s vintage Valentine’s Day postcards from the early 1900s was some anti-suffragette propaganda. That brand of misogynist messaging, it turns out, wasn’t reserved just for Cupid’s favorite holiday — in fact, as the suffrage movement swelled into a groundswell in the early 20th century, the picture postcard industry was enlisted in producing propaganda that discredited and denigrated women fighting for the vote. Here are a few more anti-suffragette postcards from the period, a reminder at once amusing and appalling of our culture’s history of socially sanctioned bigotry. (No doubt, Tea Party signage on marriage rights and immigration will appear in similar contexts in the cultural criticism of tomorrow.)

If this wasn’t amusingly appalling enough for you, up the ante with this Victorian list of don’ts for female cyclists, but then lift your spirits with a look at how the bicycle actually emancipated women.

History Extra @matthiasrascher

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The Great Race: An Exquisite Tale of Forest Creatures Illustrated in the Style of Indian Folk Art

“I’m the fastest animal in the forest! And I challenge any animal to race me!”

If you read Brain Pickings regularly, you’re intimately familiar with the wonderful work of Indian indie publisher Tara Books, who for the past 17 years has been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on beautifully crafted books that honor the legacy and diverse styles of Indian folk art. Now comes The Great Race (public library) — an adaptation of an Indonesian folktale featuring Kanchil the trickster mouse deer, illustrated in the stunning Mata-ni-Pachedi style of ritual textile painting from the Gujarat region by artist Jagdish Chitara and written by Nathan Kumar Scott — a first-of-its-kind use of this traditional folk art in children’s storytelling.

The Great Race is the third in Scott’s Kanchil series, a follow-up to The Sacred Banana Leaf and Mangoes and Bananas, each equally exquisite in its own right and illustrated by a different Indian artist.

Images courtesy of Tara Books

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Cultural History Gem: Saul Bass’s Original Pitch for the Bell Systems Logo Redesign, 1969

The greatest graphic designer of all time traces the evolution of consumer culture via the telephone.

For many of us, Saul Bass endures as the greatest graphic designer of all time and an unmatched master of the film title sequence. But Bass was also a keen branding savant, who helped shape the identities of clients as diverse as Continental Airlines, The Boys & Girls Clubs of America, Minolta, Quaker Oats, Kleenex, and the J. Paul Getty Trust.

In 1969, Bass was tasked with reimagining the visual identity of the American Bell Telephone Company, commonly referred to as “Ma Bell,” in an effort to modernize the old-timey bell-and-circle logo by eliminating its datedness but preserving its comforting familiarity. This rare footage captures the full half-hour of Bass and his team’s original pitch to Bell, which envisioned an entire ecosystem of identity well beyond the logo — signage, print, outdoor, and even executive cufflinks. The pitch could well have been masterminded by Don Draper, itself a fascinating and layered piece of cultural history covering the evolution of consumerism through the story of the telephone and the larger context of changing social expectations.

We’re fighting a war. Making a peace. Integrating. Segregating. Getting richer. Getting poorer. It’s quite a time to be alive.

Business has its particular problems — young people refusing good jobs; investors are more influenced by publicity than performance; customers complaining about the finest products produced anywhere in the world….Many of us here today remember when it was quite different. The pursuit of happiness had ground to a halt. Survival was the goal — just to have a job, but to have a job with security: That was the prize in 1933. How long a product lasted was more important than how well it looked. Wall Street had forgotten blue sky and was now talking blue chip. Down-to-earth, safe — that was the place to be.

[…]

How a thing looks today is as important as how well it works. As never before, people are influenced by what they see.

In 1983, after the breakup of Bell Systems, Bass also designed the famous AT&T “globe” logo, which AT&T didn’t update until 2005. (And, many have said, never should have.)

For a glimpse of how logo design has changed since the age of Bass, see this fantastic recent PBS Off Book micro-documentary, featuring Brain Pickings favorites Kelli Anderson and Steven Heller, complete with a Curator’s Code mention:

[A logo] is informed and reinforced by the things we see every day, and it’s important to acknowledge that entire invisible vocabulary.” ~ Kelli Anderson

For the ultimate Bass gold, don’t miss the indispensable Saul Bass: A Life in Film and Design, one of the best art and design books of 2011 and quite possibly among the best of all time.

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