What We Talk About When We Talk About “Curation”
On creative restlessness, the art of context, and the contagion of intellectual curiosity.
By Maria Popova
First things first — “curation” is a terrible term. It has been used so frivolously and applied so indiscriminately that it’s become vacant of meaning. But I firmly believe that the ethos at its core — a drive to find the interesting, meaningful, and relevant amidst the vast maze of overabundant information, creating a framework for what matters in the world and why — is an increasingly valuable form of creative and intellectual labor, a form of authorship that warrants thought.
My friends at Percolate and m ss ng p eces (♥ ♥ ♥ ♥), who share that belief, produced this fantastic short film on what “curation” really means, in which I was humbled and honored to join far worthier minds like my wonderful studiomate Tina Roth Eisenberg of Swiss Miss, the inimitable Edith Zimmerman of The Hairpin, Peter Hopkins of Big Think, Anthony de Rosa of Soup Soup, and more.
A good curator is thinking not just about acquisition and selection, but also contextualizing.” ~ Joanne McNeil
People really respond to other people’s enthusiasm about things.” ~ Edith Zimmerman
Ideas are the most valuable thing. Good ones make all the difference; bad ones can hold us back, maybe even destroy us. If we can focus on finding the right ones, helping distill them, and transfer them as quickly as possible, we can get more of that. Curation is that means to the end.” ~ Peter Hopkins
The film is the first installment in a series exploring the shifts in content creation and the information economy. Keep an eye out for the remaining parts.
Published March 16, 2012