Jeff Buckley on Music and Life: A Rare Interview with One of Creative History’s Most Tragic Heroes
“Be awake enough to see where you are at any given time and how that is beautiful and has poetry inside.”
By Maria Popova
In 1995, while working for an Italian radio station, journalist Luisa Cotardo conducted what would become the most candid, soulful, and profound conversation with beloved musician Jeff Buckley (November 17, 1966–May 29, 1997). His only studio album, the now-iconic Grace — which includes Buckley’s extraordinary cover of Leonard Cohen’s “Hallelujah,” the song for which he remains best-loved — had been released a few months earlier and Buckley had just performed in the town of Correggio in Northern Italy as part of his European tour. Less than two years later, at the age of thirty, he would drown by accident while swimming in Tennessee’s Wolf River during a tour, becoming one of creative history’s most tragic heroes — doubly so because Buckley’s critical acclaim only crescendoed after his death. Rolling Stone eventually proclaimed him one of the 100 greatest singers of all time.
Cotardo has kindly shared with me her recording of this rare and remarkably rich interview, in which Buckley discusses with great openness and grace his philosophy on music and life. Transcribed highlights below.
On why he chose not to include lyrics in the album booklet, a deliberate effort to honor music as a deeply personal experience interpreted and inhabited differently by each listener:
So that instead of people being compelled to read through the blueprint of the songs — instead of them looking at the dance steps ahead of time, they would just go through the dance. So that they would let the songs happen to them. Later on, they will find out what the meaning is, but for now — I mean, you know, we’re just meeting for the first time and it’s better… It’s better to grab your own reality from it right now instead of like, you know, read.
On what he seeks to communicate with his music, echoing composer Aaron Copland’s conviction about the interplay of emotion and intellect in great music:
[What I want to communicate] doesn’t have a language with which I can communicate it. The things that I want to communicate are simply self-evident, emotional things. And the gifts of those things are that they bring both intellectual and emotional gifts — understanding. But I don’t really have a major message that I want to bring to the world through my music. The music can tell people everything they need to know about being human beings. It’s not my information, it’s not mine. I didn’t make it. I just discovered it.
On the problem with Western charity efforts like LiveAid:
I would like for the starvation and oppression to end in Africa. I like for money from concerned people to go there, you know, to go to Africa, to aid. But … the real solution will come from Africa ruling Africa and not Britain ruling Africa, not America ruling Africa — it’s the only real key. If Africa rules Africa, that’s the only way that pattern of oppression from the outside can be stopped — not money, not only money. Money is a tool and it can be, I don’t know, I really don’t… It’s great that Mandela came out and took office in Africa. I think that’s the real revolution.
I don’t know what belonging means… I can only use my brain and intellectualize. I really wouldn’t able to tell you from the heart what belonging means… My memories of that place are my link to the place — memories of your experience in a place is your link… All people belong to the world. There is no exclusivity in that… The soil from America can differ from the soil in Malaysia, but its soil, it’s still the same. And the color of people’s skin can differ from place to place but it’s still skin. And, in that regard, there is no difference. People must belong to the earth and a traveller must belong to world somehow and the world must belong to her or him somehow. But, you know, then there’s the social level — that’s just the archetypal level, people usually live in the social level.
Echoing what Jackson Pollock’s father so poetically told his son in 1928, Buckley parlays this into his humble yet wonderfully wise advice on being in the world:
I have no advice for anybody except to, you know, be awake enough to see where you are at any given time and how that is beautiful and has poetry inside, even in places you hate.
On one’s journey of self-actualization and the organic letting go of dreams that no longer fit that journey:
It’s part of maturity, to project upon your life goals and project upon your life realized dreams and a result that you want. It’s part of becoming whole … just like a childish game. It’s honest — it’s an honest game, because … you want your life to hold hope and possibility.
It’s just that, when you get to the real meat of life, is that life has its own rhythm and you cannot impose your own structure upon it — you have to listen to what it tells you, and you have to listen to what your path tells you. It’s not earth that you move with a tractor — life is not like that. Life is more like earth that you learn about and plant seeds in… It’s something you have to have a relationship with in order to experience — you can’t mold it — you can’t control it…
Published September 11, 2014