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The Joy of Swimming: An Illustrated Celebration of the Water as a Medium of Bodily, Mental, and Spiritual Movement

From the history of the bathing suit to Rumi, a loving homage to aquatic bliss.

The Joy of Swimming: An Illustrated Celebration of the Water as a Medium of Bodily, Mental, and Spiritual Movement

“The truth is an abyss,” Kafka asserted in contemplating the nature of reality. “One must — as in a swimming pool — dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order later to rise again … to the now doubly illuminated surface of things.” Alan Watts once explained the tenets of Taoism through swimming. More than a philosophical metaphor, the swimming pool is a place of great psychological potency — Oliver Sacks saw swimming as an essential creative stimulant for writing. Indeed, there is something primordially powerful about immersing yourself into the water and propelling yourself into motion and silent thought, the daily bustle of the world left to the land. “As you swim,” Anaïs Nin wrote in her beautiful meditation on leisure and the art of presence, “you are washed of all the excrescences of so-called civilization, which includes the incapacity to be happy under any circumstances.”

In The Joy of Swimming: A Celebration of Our Love for Getting in the Water (public library), artist Lisa Congdon explores the innumerable rewards and dimensions of swimming as a conduit of happiness and presence.

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From profiles of trailblazers like Gertrude Ederle, the first woman to swim across the English Channel, and everyday swimming aficionados across all walks of life, to curious water-related trivia, to the history of swimming ephemera and architecture, the book is a jubilant ode to our relationship with the water as a medium of bodily, mental, and spiritual movement.

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A lifelong swimmer herself, Congdon writes:

It was a beautiful California day during the summer of 1977, and Queen’s “We Are the Champions” was blasting from someone’s boom box. The Shadowbrook Splashers, my childhood swim team, had just won the championship meet. We danced and screamed in victorious revelry — all of us barefoot, nine-year-olds and teenagers alike — our tan bodies clad only in faded team suits, our mouths red from eating cherry-flavored Jell-O blocks. These were the glory days of my childhood: the summers, the morning practices, the swim meets on Saturdays, the smell of chlorine in everything — especially my hair, straw dry and green from pool water.

I lived for summers, and I spent nearly every available minute of them at the swimming pool down the block from my family’s home in a suburban subdivision of San Jose, California’s Almaden Valley. The pool was not only where I swam, but also where, over luxuriously long summer days, I played in the grass, made friends, ate lunch, read books, and where I learned about disco music and flirting and card games. It was where I first became independent and where I first became aware of my physical strength.

[…]

The smell of chlorine, the feeling of rough poolside concrete under my bare feet, and the sound of water splashing are all so nostalgic for me that even now I am often transported back to the magic of my childhood simply by closing my eyes.

Lisa Congdon as a child
Lisa Congdon as a child

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Complement The Joy of Swimming with Congdon’s field guide to the psychology and practicalities of being an artist and her lovely illustrated homage to Gertrude Stein, then revisit this magnificent read on swimming as an allegory of how our social biases work.

Illustrations © Lisa Congdon courtesy of Chronicle Books

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A Madman Dreams of Tuning Machines: The Story of Joseph Weber, the Tragic Hero of Science Who Followed Einstein’s Vision and Pioneered the Sound of Space-Time

…and a remarkable letter from Freeman Dyson on the difficult, necessary art of changing one’s mind.

A Madman Dreams of Tuning Machines: The Story of Joseph Weber, the Tragic Hero of Science Who Followed Einstein’s Vision and Pioneered the Sound of Space-Time

In his groundbreaking 1915 paper on general relativity, Albert Einstein envisioned gravitational waves — ripples in the fabric of space-time caused by astronomic events of astronomical energy. Although fundamental to our understanding of the universe, gravitational waves were a purely theoretical construct for him. He lived in an era when any human-made tool for detecting something this faraway was simply unimaginable, even by the greatest living genius, and many of the cosmic objects capable of producing such tremendous tumult — black holes, for instance — were yet to be discovered.

One September morning in 2015, almost exactly a century after Einstein published his famous paper, scientists turned his mathematical dream into a tangible reality — or, rather, an audible one.

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The Laser Interferometer Gravitational-Wave Observatory — an enormous international collaboration known as LIGO, consisting of two massive listening instruments 3,000 kilometers apart, decades in the making — recorded the sound of a gravitational wave produced by two mammoth black holes that had collided more than a billion years ago, more than a billion light-years away.

One of the most significant discoveries in the history of science, this landmark event introduces a whole new modality of curiosity in our quest to know the cosmos, its thrill only amplified by the fact that we had never actually seen black holes before hearing them. Nearly everything we know about the universe today, we know through five centuries of optical observation of light and particles. Now begins a new era of sonic exploration. Turning an inquisitive ear to the cosmos might, and likely will, revolutionize our understanding of it as radically as Galileo did when he first pointed his telescope at the skies.

In Black Hole Blues and Other Songs from Outer Space (public library) — one of the finest and most beautifully written books I’ve ever read, which I recently reviewed for The New York Times — astrophysicist and novelist Janna Levin tells the story of LIGO and its larger significance as a feat of science and the human spirit. Levin, a writer who bends language with effortless might and uses it not only as an instrument of thought but also as a Petri dish for emotional nuance, probes deep into the messy human psychology that animated these brilliant and flawed scientists as they persevered in this ambitious quest against enormous personal, political, and practical odds.

Levin — who has written beautifully about free will and the relationship between genius and madness — paints the backdrop for this improbable triumph:

Somewhere in the universe two black holes collide — as heavy as stars, as small as cities, literally black (the complete absence of light) holes (empty hollows). Tethered by gravity, in their final seconds together the black holes course through thousands of revolutions about their eventual point of contact, churning up space and time until they crash and merge into one bigger black hole, an event more powerful than any since the origin of the universe, outputting more than a trillion times the power of a billion Suns. The black holes collide in complete darkness. None of the energy exploding from the collision comes out as light. No telescope will ever see the event.

What nobody could see LIGO could hear — a sensitive, sophisticated ear pressed to the fabric of space-time, tuned to what Levin so poetically eulogizes as “the total darkness, the empty space, the vacuity, the great expanse of nothingness, of emptiness, of pure space and time.” She writes of this astonishing instrument:

An idea sparked in the 1960s, a thought experiment, an amusing haiku, is now a thing of metal and glass.

But what makes the book most enchanting is Levin’s compassionate insight into the complex, porous, often tragic humanity undergirding the metal and glass — nowhere more tragic than in the story of Joseph Weber, the controversial pioneer who became the first to bring Einstein’s equations into the lab. Long before LIGO was even so much as a thought experiment, Weber envisioned and built a very different instrument for listening to the cosmos.

Weber was born Yonah Geber to a family of Lithuanian Jewish immigrants in early-twentieth-century New Jersey. His mother’s heavy accent caused his teacher to mishear the boy’s name as “Joseph,” so he became Joe. After he was hit by a bus at the age of five, young Joe required speech rehabilitation therapy, which replaced his Yiddish accent with a generic American one that led his family to call him “Yankee.” As a teenager, he dropped out of Cooper Union out of concern for his parents’ finances and joined the Navy instead, where he served on an aircraft carrier that was sunk during WWII. When the war ended, he became a microwave engineer and was hired as a professor at the University of Maryland at the then-enviable salary — especially for a 29-year-old — of $6,500 a year.

Eager to do microwave research, he turned to the great physicist George Gamow, who had theorized cosmic microwave background radiation — a thermal remnant of the Big Bang, which would provide unprecedented insight into the origin of the universe and which Weber wanted to dedicate his Ph.D. career to detecting. But Gamow inexplicably snubbed him. Two other scientists eventually discovered cosmic microwave background radiation by accident and received the Nobel Prize for the discovery. Weber then turned to atomic physics and devised the maser — the predecessor of the laser — but, once again, other scientists beat him to the public credit and received a Nobel for that discovery, too.

Levin writes:

Joe’s scientific life is defined by these significant near misses… He was Shackleton many times, almost the first: almost the first to see the big bang, almost the first to patent the laser, almost the first to detect gravitational waves. Famous for nearly getting there.

And that is how Weber got to gravitational waves — a field he saw as so small and esoteric that he stood a chance of finally being the first. Levin writes:

In 1969 Joe Weber announced that he had achieved an experimental feat widely believed to be impossible: He had detected evidence for gravitational waves. Imagine his pride, the pride to be the first, the gratification of discovery, the raw shameless pleasure of accomplishment. Practically single-handedly, through sheer determination, he conceives of the possibility. He fills multiple notebooks, hundreds of pages deep, with calculations and designs and ideas, and then he makes the experimental apparatus real. He builds an ingenious machine, a resonant bar, a Weber bar, which vibrates in sympathy with a gravitational wave. A solid aluminum cylinder about 2 meters long, 1 meter in diameter, and in the range of 3,000 pounds, as guitar strings go, isn’t easy to pluck. But it has one natural frequency at which a strong gravitational wave would ring the bar like a tuning fork.

Joseph Weber with his cylinder
Joseph Weber with his cylinder

Following his announcement, Weber became an overnight celebrity. His face graced magazine covers. NASA put one of his instruments on the Moon. He received ample laud from peers. Even the formidable J. Robert Oppenheimer, a man of slim capacity for compliments, encouraged him with a remark Weber never forgot: “The work you’re doing,” Oppenheimer told him, “is just about the most exciting work going on anywhere around here.”

Under the spell of this collective excitement, scientists around the world began building replicas of Weber’s cylinder. But one after another, they were unable to replicate his results — the electrifying eagerness to hear gravitational waves was met with the dead silence of the cosmos.

Weber plummeted from grace as quickly as he had ascended. (Einstein himself famously scoffed at the fickle nature of fame.) Levin writes:

Joe Weber’s claims in 1969 to have detected gravitational waves, the claims that catapulted his fame, that made him possibly the most famous living scientist of his generation, were swiftly and vehemently refuted. The subsequent decades offered near total withdrawal of support, both from scientific funding agencies and his peers. He was almost fired from the University of Maryland.

Among Weber’s most enthusiastic initial supporters was the great theoretical physicist Freeman Dyson. Perhaps out of his staunch belief that no question is unanswerable, Dyson had emboldened Weber to attempt what no one had attempted before — to hear the sound of space-time. But when the evidence against Weber’s data began to mount, Dyson was anguished by a sense of personal responsibility for having encouraged him, so he wrote Weber an extraordinary letter urging him to practice the immensely difficult art of changing one’s mind. Levin quotes the letter, penned on June 5, 1975:

Dear Joe,

I have been watching with fear and anguish the ruin of our hopes. I feel a considerable personal responsibility for having advised you in the past to “stick your neck out.” Now I still consider you a great man unkindly treated by fate, and I am anxious to save whatever can be saved. So I offer my advice again for what it is worth.

A great man is not afraid to admit publicly that he has made a mistake and has changed his mind. I know you are a man of integrity. You are strong enough to admit that you are wrong. If you do this, your enemies will rejoice but your friends will rejoice even more. You will save yourself as a scientist, and you will find that those whose respect is worth having will respect you for it.

I write now briefly because long explanations will not make the message clearer. Whatever you decide, I will not turn my back on you.

With all good wishes,
Yours ever
Freeman

But Weber decided not to heed his friend’s warm caution. His visionary genius coexisted with one of the most unfortunate and most inescapable of human tendencies — our bone-deep resistance to the shame of admitting error. He paid a high price: His disrepute soon veered into cruelty — he was ridiculed and even baited by false data intended to trick him into reaffirming his claims, only to be publicly humiliated all over again. In one of the archival interviews Levin excavates, he laments:

I simply cannot understand the vehemence and the professional jealousy, and why each guy has to feel that he has to cut off a pound of my flesh… Boltzmann committed suicide with this sort of treatment.

Here, I think of Levin’s penchant for celebrating tragic heroes whose posthumous redemption only adds to their tragedy. Her magnificent novel A Mad Man Dreams of Turing Machines is based on the real lives of computing pioneer Alan Turing and mathematician Kurt Gödel, both of whom committed suicide — Turing after particularly cruel mistreatment. Levin’s writing emanates a deep sympathy for those who have fallen victim to some combination of their own fallible humanity and the ferocious inhumanity of unforgiving, bloodthirsty others. No wonder Weber’s story sings to her. A mad man dreams of tuning machines.

Without diminishing the role of personal pathology and individual neurochemistry, given what psychologists know about suicide prevention, social support likely played a vital role in Weber’s ability to withstand the barrage of viciousness — Dyson’s sympathetic succor, but most of all the love of his wife, the astronomer Virginia Trimble, perhaps the most unambivalently likable character in the book. Levin writes:

She called him Weber and he called her Trimble. They married in March 1972 after a cumulative three weekends together. She laughs. “Weber never had any trouble making up his mind.” Twenty-three years her senior, he always insisted she do what she wanted and needed to do. Perhaps trained in part by his first wife, Anita, a physicist who took a protracted break to raise their four boys, the widower had no reservations about Virginia’s work, her independence, or her IQ. (Stratospheric. In an issue of Life magazine with a now-vintage cover, in an article titled “Behind a Lovely Face, a 180 I.Q.” about the then eighteen-year-old astrophysics major, she is quoted as classifying the men she dates into three types: “Guys who are smarter than I am, and I’ve found one or two. Guys who think they are— they’re legion. And those who don’t care.”)

Virginia Trimble in LIFE magazine, 1962
Behind a Lovely Face, a 180 I.Q.: Virginia Trimble in LIFE magazine, 1962

Trimble was the second woman ever allowed at the famed Palomar Observatory, a year after pioneering astronomer Vera Rubin broke the optical-glass ceiling by becoming the first to observe there. Levin, whose subtle kind-natured humor never fails to delight, captures Trimble’s irreverent brilliance:

In her third year, having demonstrated her tenacity — particularly manifest in the fact that she still hadn’t married, she suspects — she was awarded a fellowship from the National Science Foundation. When she arrived at Caltech, she was delighted. “I thought, ‘Look at all of these lovely men.’” In her seventies, with her coral dress, matching shoes and lip color, Moon earrings, and gold animal-head ring, she beams. Still a lovely face. And still an IQ of 180.

This fierce spirit never left Trimble. Now in her seventies, she tells Levin:

When I fell and broke my hip last September, I spent four days on the floor of my apartment singing songs and reciting poetry until I was found.

It isn’t hard to see why Weber — why anyone — would fall in love with Trimble. But although their love sustained him and he didn’t take his own life, he suffered an end equally heartbreaking.

By the late 1980s, Weber had submerged himself even deeper into the quicksand of his convictions, stubbornly trying to prove that his instrument could hear the cosmos. For the next twenty years, he continued to operate his own lab funded out of pocket — a drab concrete box in the Maryland woods, where he was both head scientist and janitor. Meanwhile, LIGO — a sophisticated instrument that would eventually cost more than $1 billion total, operated by a massive international team of scientists — was gathering momentum nearby, thanks largely to the scientific interest in gravitational astronomy that Weber’s early research had sparked.

He was never invited to join LIGO. Trimble surmises that even if he had been, he would’ve declined.

One freezing winter morning in 2000, just as LIGO’s initial detectors were being built, 81-year-old Weber went to clean his lab, slipped on the ice in front of the building, hit his head, and fell unconscious. He was found two days later and taken to the E.R., but he never recovered. He died at the hospital several months later from the lymphoma he’d been battling. The widowed Trimble extracts from her husband’s tragedy an unsentimental parable of science — a testament to the mismatch between the time-scale of human achievement, with all the personal glory it brings, and that of scientific progress:

Science is a self-correcting process, but not necessarily in one’s own lifetime.

When the LIGO team published the official paper announcing the groundbreaking discovery, Weber was acknowledged as the pioneer of gravitational wave research. But like Alan Turing, who was granted posthumous pardon by the Queen more than half a century after he perished by inhumane injustice, Weber’s redemption is culturally bittersweet at best. I’m reminded of a beautiful passage from Levin’s novel about Turing and Gödel, strangely perfect in the context of Weber’s legacy:

Their genius is a testament to our own worth, an antidote to insignificance; and their bounteous flaws are luckless but seemingly natural complements, as though greatness can be doled out only with an equal measure of weakness… Their broken lives are mere anecdotes in the margins of their discoveries. But then their discoveries are evidence of our purpose, and their lives are parables on free will.

Free will, indeed, is what Weber exercised above all — he lived by it and died by it. In one of the interviews Levin unearths, he reflects from the depths of his disrepute:

If you do science the principal reason to do it is because you enjoy it and if you don’t enjoy it you shouldn’t do it, and I enjoy it. And I must say I’m enjoying it… That’s the best you can do.

At the end of the magnificent and exceptionally poetic Black Hole Blues, the merits of which I’ve extolled more fully here, Levin offers a wonderfully lyrical account of LIGO’s triumph as she peers into the furthest reaches of the space-time odyssey that began with Einstein, gained momentum with Weber, and is only just beginning to map the course of human curiosity across the universe:

Two very big stars lived in orbit around each other several billion years ago. Maybe there were planets around them, although the two-star system might have been too unstable or too simple in composition to accommodate planets. Eventually one star died, and then the other, and two black holes formed. They orbited in darkness, probably for billions of years before that final 200 milliseconds when the black holes collided and merged, launching their loudest gravitational wave train into the universe.

The sound traveled to us from 1.4 billion light-years away. One billion four hundred million light-years.

[…]

We heard black holes collide. We’ll point to where the sound might have come from, to the best of our abilities, a swatch of space from an earlier epoch. Somewhere in the southern sky, pulling away from us with the expansion of the universe, the big black hole will roll along its own galaxy, dark and quiet until something wanders past, an interstellar dust cloud or an errant star. After a few billion years the host galaxy might collide with a neighbor, tossing the black hole around, maybe toward a supermassive black hole in a growing galactic center. Our star will die. The Milky Way will blend with Andromeda. The record of this discovery along with the wreckage of our solar system will eventually fall into black holes, as will everything else in the cosmos, the expanding space eventually silent, and all the black holes will evaporate into oblivion near the end of time.

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The Remarkable Love Letters of Hannah Arendt and Martin Heidegger

“Why is love rich beyond all other possible human experiences and a sweet burden to those seized in its grasp? Because we become what we love and yet remain ourselves.”

The Remarkable Love Letters of Hannah Arendt and Martin Heidegger

The great German writer and political theorist Hannah Arendt (October 14, 1906–December 4, 1975), the first woman to deliver the prestigious Gifford Lectures, possessed one of the most piercing intellects of the twentieth century — a source of abiding insight into the crucial difference between truth and meaning and time, space, and where the thinking ego resides. But even Arendt wasn’t immune to youth’s impulse to relinquished reason for its counterpoint.

When she was a 19-year-old university student, Arendt fell in love with her 36-year-old married professor, Martin Heidegger (September 26, 1889–May 26, 1976). A philosopher as influential as he is controversial, Heidegger made monumental contributions phenomenology and existentialism; he also joined the Nazi party and took an academic position under Nazi favors. Although he resigned a year later, stopped attending Nazi party meetings, and later told a student that he considered taking the position “the greatest stupidity of his life,” he never publicly repented. That he should fall in love with a Jew — Arendt saw the power and privilege of being an outsider as central to her identity — exposes the complexity and contradiction of which the human spirit is woven, its threads nowhere more ragged than in love.

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Heidegger considered their romance “the most exciting, focused, and eventful” period of his life, and that creative vitality fertilized Being and Time — his most famous and influential work. “Nothing like this has ever happened to me,” he writes in one of their first love letters, collected in Letters: 1925–1975 (public library) — half a century of their electrifying correspondence, first as lovers and then as friends and intellectual peers.

In his first letter to Arendt, penned in February of 1925, Heidegger implores:

Dear Miss Arendt!

I must come see you this evening and speak to your heart.

Everything should be simple and clear and pure between us. Only then will we be worthy of having been allowed to meet. You are my pupil and I your teacher, but that is only the occasion for what has happened to us.

I will never be able to call you mine, but from now on you will belong in my life, and it shall grow with you.

We never know what we can become for others through our Being.

From the start, Heidegger sets out to reconcile the intensity of his feelings with what he knows to be in Arendt’s best rational interest:

The path your young life will take is hidden. We must be reconciled to that. And my loyalty to you shall only help you remain true to yourself.

[…]

“Be happy!” — that is now my wish for you.

Only when you are happy will you become a woman who can give happiness, and around whom all is happiness, security, repose, reverence, and gratitude to life.

And only in that way will you be properly prepared for what the university can and should give you.

[…]

We have been allowed to meet: we must hold that as a gift in our innermost being and avoid deforming it through self-deception about the purity of living. We must not think of ourselves as soul mates, something no one ever experiences… That makes the gift of our friendship a commitment we must grow with… But just once I would like to be able to thank you and, with a kiss on your pure brow, take the honor of your being into my work.

Eleven days later, Heidegger’s infatuation swells to uncontainable magnitude and explodes into the philosophical. He writes:

Dear Hannah!

Why is love rich beyond all other possible human experiences and a sweet burden to those seized in its grasp? Because we become what we love and yet remain ourselves. Then we want to thank the beloved, but find nothing that suffices.

We can only thank with our selves. Love transforms gratitude into loyalty to our selves and unconditional faith in the other. That is how love steadily intensifies its innermost secret.

Here, being close is a matter of being at the greatest distance from the other — distance that lets nothing blur — but instead puts the “thou” into the mere presence — transparent but incomprehensible — of a revelation. The other’s presence suddenly breaks into our life — no soul can come to terms with that. A human fate gives itself over to another human fate, and the duty of pure love is to keep this giving as alive as it was on the first day.

But just before the one-year anniversary of their romance, Arendt ended things abruptly, in large part because she wanted to focus on her academic pursuit of philosophy. In a reply to her from January of 1926, Heidegger makes an admirable effort to syncretize the two conflicting forces ripping him asunder — his own heartbreak and the sincerity with which he wishes the best for Arendt. He writes:

My dear Hannah!

… I understand, but that doesn’t make it any easier to bear. Still less as I know what my love exacts from you.

Although Arendt’s breakup letter doesn’t survive, it appears that in it she cited her need to withdraw from the romance in order to focus on her work — a perennial paradox of human satisfactions, which Heidegger addresses in his response:

This “withdrawal” from everything human and breaking off all connections is, with regard to creative work, the most magnificent human experience I know — with regard to concrete situations, it is the most repugnant thing one can encounter. One’s heart is ripped from one’s body.

And the hardest thing is — such isolation cannot be defended by appeal to what it achieves, because there are no measures for that and because one cannot just make allowance for abandoning human relationships… With the burden of this necessary isolation, I always hope for complete isolation form the outside — for a merely apparent return to other people — and for the strength to keep an ultimate and constant distance. For only then can all sacrifice be spared them, along with the necessary rejection.

But this tormented desire is not just unattainable, it is even forgotten — so much so that the most vital human relationships become a spring again and provide the forces that drive one into isolation once more…. Such a life then becomes wholly a matter of exigencies that have no justification. Coming to terms with this in a positive way — not taking a position exclusively as a kind of escape — is what it means to be a philosopher.

And yet however tragic the sacrifices of being a philosopher may be, Heidegger encourages young Arendt to make them anyway. His words radiate a testament to the notion put forth generations later by philosopher Martha Nussbaum — in many ways an intellectual heir of Arendt’s — that embracing our neediness is essential for healthy relationships. Even as Heidegger emboldens Arendt to go her own way, he articulates his longing for her and his need for their love to persevere:

It is clear — independently of you and me in this final point — that, in your youth and receptive stage of learning, you should not commit yourself here. It is always bad for young people to not summon the strength to go away. It is a sign that the freedom of instincts has died out, and as a result, when they stay they no longer grow in a positive way…

[…]

And perhaps your decision will become an example… If it has good effect, it can only be because it calls for sacrifice from both of us.

The evening and your letters have renewed my certainty that everything stays close to what is good, and becomes good… You, even in your situation, must be happy as only those with a young heart and strong expectations and faith can be at the prospect of a new world — new learning, fresh air, and growth. May each of us be a match for the other’s existence, that is, for the freedom of faith and for the inner necessity of an unalloyed trust — that will preserve our love.

My life continues — without my involvement or merit — with such uncanny certainty that I want to believe the new emptiness that will come with your departure is necessary.

And yet despite Arendt’s departure, the emotional intensity between the two magnetized them into continued correspondence and occasional meetings over the months that followed. By July of 1927, more than two years after their romance began, they were still very much in love. Responding to another letter of Arendt’s that doesn’t survive and that appears to have been particularly emotionally charged, Heidegger writes:

My dear Hannah!

[…]

Although you have remained as present to me as you were on the first day, your letter brought you particularly close. I hold your loving hands in mine and pray with you for your happiness.

[…]

Child, my dear, do you only “hope” I might trust in you? Ask the innermost part of your heart, which has shone on me so often from your wonderfully deep eyes; it will tell you: deep down I am completely and purely sure of this trust.

Your letter has shaken me as much as first being close to you did. Those days have returned with such elemental power, thanks to this word of your love.

Echoing Van Gogh’s beautiful reflection on the parallel necessity of giving and receiving in love, Heidegger adds:

Dear Hannah, for me it was as if I had been favored to give away something ultimate and great, so as to receive it, the gift and the giving, as a new possession. I still haven’t come to grips with it, much less comprehended the unsuspected things I saw in our existence in those hours.

In April of 1928, Arendt echoes Freud’s famed assertion that love and work are the two cornerstones of the human spirit, and ultimately chooses the work of philosophy over her romance with Heidegger. She writes to him, beseeching him to understand her choice — trusting, even, that as a philosopher himself, one wholly consumed by his work, he would have no choice but to understand:

I love you as I did on the first day — you know that, and I have always known it, even before this reunion. The path you showed me is longer and more difficult than I thought. It requires a long life in its entirety. The solitude of this path is self-chosen and is the only way of living given me. But the desolation that fate has kept in store not only would have taken from me the strength to live in the world, that is, not in isolation; it also would have blocked my path, which, as it is wide and not a leap, runs through the world. Only you have a right to know this, because you have always known it. And I think that even where I finally remain silent, I will never be untruthful. I always give as much as anyone wants from me, and the path itself is nothing but the commitment our love makes me responsible for. I would lose my right to live if I lost my love for you, but I would also lose this love and its reality if I shirked the responsibility it forces on me.

The following year, Arendt met a young German journalist and philosopher in Heidegger’s seminar. That fall, she married him. Writing on her wedding day, she sends Heidegger one final romantic reverberation, at once plaintive and proud:

Do not forget me, and do not forget how much and how deeply I know that our love has become the blessing of my life. This knowledge cannot be shaken, not even today, when, as a way out of my restlessness, I have found a home and a sense of belonging with someone about whom you might understand it least of all.

[…]

I kiss your brow and your eyes,

Your Hannah

Like Virginia Woolf and Vita Sackville-West, who were onetime lovers and lifelong friends, Arendt and Heidegger remained in each other’s lives for half a century, until Arendt’s sudden death. Heidegger outlived her by six months. Letters: 1925–1975 survives as the extraordinary record of this enduring relationship, brimming with timeless wisdom on nearly every aspect of life and culture.

Complement it with Arendt on how we humanize each other, then revisit the love letters of John Keats, James Joyce, Iris Murdoch, Vladimir Nabokov, Charlotte Brontë, Oscar Wilde, Ludwig van Beethoven, James Thurber, Albert Einstein, Franz Kafka, and Frida Kahlo.

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